This Joplin "March and Two-Step" is mostly rung and malleted; it should not be played so fast that it feels hurried nor should it go so slowly that it loses its swing. There are several repeats and a trio

This original work features a lyrical but poignant melody supported by a flowing accompaniment with many LV passages forming lovely progressions.  It begins in g-minor with nicely-crafted segues to

Originally written for banjo, this song tells the story of some fun-loving and bawdy boatmen on the Ohio River. Capturing the authentic spirit of the tune, this arrangement features a variety of stopped

Musically, the "boogie" is described as "a repetitive, groove pattern" and Hart's arrangement stays true to this description. A fun piece that includes amazing chromatics, rhythmic accents, and many stopped

Three selections from Warlock's "Capriol Suite" are included in this one title. Danse No. 1 reflects a renaissance county dance style. Danse No. 5 translates as "feet in air" to suggest dancers glide across

This original composition offers a fresh, engaging title perfect for your Bronze level group. The lilting melodic patterns evoke memories of the various colored horses and other animals moving up and down

This lilting melody is a song about the Puerto Rican coqui, a tiny tree frog with a high pitched voice that “sings” from dusk till dawn. The music is accented with shakes, thumb damps and

"Excursion" is defined as "a short trip, especially one that is engaged in as a leisure activity" - yet this piece is anything but leisure! Written with a fondness for the composer's home in Pennsylvania's

This rhythmic, expressive and elegant setting of the hymn tune, TO GOD BE THE GLORY, is the perfect arrangement for your advanced ringers to show their technical and musical skills. It is crafted for seven

The gopak originated as a folk dance among Cossack dancers and is known as the National Dance of Ukraine. Also called "hopak," the corresponding exclamation "hop!" is said during a jump or as an expression

What a perfect tune to be transcribed for handbells! This joyful tune is a staple among jazz musicians and will become a favorite with your advanced ringers. The engaging melody with rhythmic swing is

Written in reaction to the composer watching an advanced bell choir rehearse, this piece features a driving 6/8 rhythm and interest-grabbing modulations. The piece moves through various moods filled with

This amazing composition by Claude T. Smith, a revered composer of choral and band works, is based on the hymn tune, LOBE DEN HERREN, and was originally commissioned for concert band. This masterful

This sweet Irish tune has been sensitively arranged beginning with singing bells and flute solo. If flute is not used, then the piece may begin with bells in m. 11. The melody is supported by LV passages

The hymn JERUSALEM is sung so extensively in England that it is sometimes referred to as England's second national anthem. The text by William Blake was set to music by Sir Hubert Parry and later

Originally arranged for the Raleigh Ringers, this rendition is definitely not your ordinary setting of the traditional Christmas season favorite! The arranger has used many ringing techniques, stopped

Hart has crafted a delightful arrangement of this 1960's Floyd Cramer instrumental favorite and many memories will be stirred while listening to this piece. The addition of vibraphone and pizz. bass makes

One movement of the delightful musical suite "Le Carnaval des Animaux" (Carnival of the Animals), this piece was originally written for solo cello and two pianos. Arranged here for separate handchime

Lob Gott, ihr Christen, written by German Lutheran cantor, Nikolaus Herman in 1560, was arranged for organ by renowned composer and organist, Charles W. Ore. Now Jeffrey White has transcribed Ore's setting

This original music was written in memory of a one of the founding members of Encore! Handbell Ensemble. Patrick writes: "Shirley's theme is a simple one, with steady underlying quarter notes that speak to

This original work is very creative and a lovely example of 20th century ‘classical’ repertoire. It is mostly Rung throughout and features expressive dynamics. In lieu of using LV, it is

Beginning with singing bass bells, and ethereal A9(sus4) chord is heard while handchimes ring the musical theme: E D A B (LOVE). That sets the tone that is developed nicely as the melody shifts to the bells

This original piece is dedicated to Fred A. Merrett, Canadian handbell composer and director who was highly regarded throughout the handbell community. A beautiful and sensitive work, it features a poignant